ceramic

An introduction to Ming blue and white porcelain | Curator’s Corner S5 Ep6 #CuratorsCorner

The Ming Dynasty is famed for its blue and white porcelain, which took over European dinning tables thanks to trade with the Dutch, Portuguese and English. However, you might not know exactly how to tell the difference between a Hongwu and a Longqing piece. If you don't, never fear! Curator Jessica Harrison-Hall has you and the entire Ming Dynasty covered!

#CuratorsCorner #MingPorcelain #ChinaFromChina

Curator's Corner Playlist:

Ceramic Review: Masterclass with Lisa Hammond

From her studio in a disused London railway ticket office, Lisa Hammond shares the processes she follows to create her soda-fired carved pouring bowls. Discover more inside Ceramic Review issue 283, which features the full step-by-step masterclass. You can order back issues of the magazine from ceramicreview.com.

Film by Layton Thompson for Ceramic Review.

Ceramic Review: Masterclass with Daphne Carnegy

Tin-glazed earthenware expert Daphne Carnegy shares the process and story behind her botany-inspired functional wares. Discover more inside Ceramic Review issue 288, which features the full step-by-step masterclass. You can order current and back issues of the magazine from ceramicreview.com.

Film by Layton Thompson for Ceramic Review.

Ceramic Review: Masterclass with Stuart Carey

'It was at the wheel where it all came together for me. Tableware became an obsession, I loved the functionality of it, that it would be used and loved.'

In this video, Stuart Carey takes us step-by-step through the processes he uses to throw a thin-walled bowl, which he spray-glazes once it is bisque-fired.

Discover how Stuart makes his work in the full step-by-step masterclass inside CR 299 (September/October 2019). You can order current and back issues of the magazine from ceramicreview.com.

Film by Layton Thompson for Ceramic Review

Ceramic Review: Masterclass with Sarah Scampton

Ceramicist Sarah Scampton shares the steps she follows to create her finely marked, multiple-fired sculptural forms. Discover more inside Ceramic Review issue 284, which features the full step-by-step Masterclass. You can order current and back issues of the magazine from ceramicreview.com.

Film by Layton Thompson for Ceramic Review.

Ceramic Review: Masterclass with Adrian Bates

'With a background in graphics and teaching, working with ceramics might have been seen as an afterthought, but in fact it has become what I think of as my first ‘proper’ career.'

In this video, Adrain Bates takes us step-by-step through the processes he uses to create one of his organic Möbius Deconstructed forms

Discover how Adrian makes his work in the full step-by-step masterclass inside CR 301 (January/February 2020). You can order current and back issues of the magazine from ceramicreview.com.

Film by Layton Thompson for Ceramic Review

Studio Visit with Ceramic Artist Jenny Hata Blumenfield | Christie’s

Los Angeles-based mixed-media ceramic artist Jenny Hata Blumenfield helps us reconsider the place of ceramics and pottery in contemporary art. ‘I see clay as having the widest range of expression,’ she explains. ‘By working with it the way that I do, I hope that steadily people will start to receive this idea of ceramics or clay as something beyond just functional.’

Blumenfield incorporates Lucite, an acrylic resin, into some of her works. In this short film, she describes transforming a two-dimensional drawing into a three-dimensional sculpture, which truly comes into its own when taken outside.

One of the most striking aspects of her process is her embrace of division, dissection and separation.
‘Being half-Japanese and half-American, I always felt stuck between two cultural identities,’ she explains. ‘I’m these two halves that really can’t seem to connect — I just exist in the in-between.’

But there is a second duality at play here, too. ‘I just would love to cut everything in half or into quarters just so that I can continue to break down this idea that ceramics can only be functional and can only be used in a day-to-day setting.’

‘That allows me to really incorporate other materials — Lucite, wood, paper, photographs — because it takes away the formalism of the vessel itself, and allows me to get experimental.’

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SATISFYING POTTERY / CERAMICS VIDEO COMPILATION #ultimate

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