This video features a Robert Arneson "Me & Jackson, 1987" lithograph. This art piece will be offered within the Fine Art section of the June 2 Estate Auction at Michaan's Auctions. To find out how you can buy Robert Arneson "Me & Jackson, 1987" lithograph go to: Background music: "Brandenburg Concerto No. 4 in G, […]
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In preparation to move to the new museum at 2 Columbus Circle, the Museum of Arts and Design has sent Robert Arneson's "Alice House Wall," 1967, to the conservator to restore it to it's original condition. Gift of the Johnson Wax Company, through the American Craft Council, 1977. The restoration of Alice House Wall was
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Robert Arneson Early Work July 8 – August 9, 2013 537 West 20th Street, David Zwirner, New York
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In this edition of Eye on Art, Blouin ARTINFO's Matthew Drutt takes us on a tour of American sculpture and ceramicist Robert Arneson's exhibition at David Zwirner's 20th Street gallery in New York's Chelsea neighborhood.
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Part four examines the career of Robert Arneson, one of the most controversial artists to come out of the San Francisco Bay area during the 1960s. Fellow artists Jim Brady, Peter VandenBerge, Chris Unterseher, Richard Shaw, Stephen DeStaebler and others reminisce about the years they worked along side Arneson at U.C. Davis.
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The Southern California art scene exploded with artistic innovation and social change post-World War II. The years 1945 to 1980 saw the creation and collapse of various art movements and shaped Southern California as a major cultural force. Laguna Art Museum continues to explore the Getty's region-wide initiative Pacific Standard Time: Art in L.A. 1945-1980
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In this video I will be discussing a brief background on Robert Arneson. Along with brief information, I have also discussed the background on each artwork that Arneson created. I have put the portraits in order from the year they were created to insure a easy way for listeners to understand the similarities between each
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Part Four of the five-part American ceramics history film, Revolutions Of The Wheel, examines the career and work of one of the most controversial of 20th Century American potters, the San Francisco Bay resident and professor, Robert Arneson – the father of ceramic Funk Art. Fellow artists Jim Brady, Peter VandenBerge and Richard Shaw reminisce
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