pottery

Taena Pottery: how to throw & decorate English slipware pots (trailer)

Ten minute version with commentary here:

Vici and Sean Casserley are the second generation of potters to run Taena Pottery. It was started in 1948 by a group of conscientious objectors and survived their dispersal in the 1960s.

Specialising in traditional English slipware, Vici and Sean make and sell their pots from a studio and shop nestled on the edge of the Cotswold escarpment. You can buy ready-made or bespoke pieces.

Contact details:
Whitley Court,
Upton-St-Leonards,
Gloucester,
Gloucestershire,
GL4 8EB
Tel: +44 (0)1452 610908

Throwing & decorating English slipware pots: Taena Pottery, Gloucestershire

I had the pleasure of filming two exceptional people and skilled potters demonstrating their craft! The historic Taena Pottery – surrounded by mulberry trees and bee-filled lavender – is having its first flirtation with the internet!

Vici and Sean Casserley are the second generation of potters to run the beautiful Taena Pottery. It was started in 1948 by a group of conscientious objectors and survived their dispersal in the 1960s.

Specialising in traditional English slipware, Vici and Sean make and sell their pots from a studio and shop nestled on the edge of the Cotswold escarpment. You can buy read-made or bespoke pieces.

Contact details:
Whitley Court,
Upton-St-Leonards,
Gloucester,
Gloucestershire,
GL4 8EB
Tel: +44 (0)1452 610908

Slipware is a traditional method of decorating clay pots, practiced globally in a variety of styles. English medieval pottery is often decorated with slip and sgraffito (the two techniques demonstrated here) and can be seen on the Tring Tiles at the British Museum:

I am an Art Historian at Cambridge University, with a deep admiration for practitioners of heritage crafts. I grew up near Sean and Vici and hope this film serves as a celebration of lives devoted to creating useful & beautiful things, or, as Sean puts it, 'making nice pots for nice people.'

Delftware or Delft pottery, Delft Blue Tulip Holders

Delftware or Delft pottery, also known as Delft Blue[1] (Dutch: Delfts blauw), is a general term now used forc tin-glazed earthenware, a form of faience. Most of it is blue and white pottery, and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other c, and made elsewhere. It is also used for similar pottery that it influenced made in England, but this should be called English delftware to avoid confusion.

Delftware is one of the types of tin-glazed earthenware or faience in which a white glaze is applied, usually decorated with metal oxides, in particular the cobalt oxide that gives the usual blue, and can withstand high firing temperatures, allowing it to be applied under the glaze. It also forms part of the worldwide family of blue and white pottery, using variations of the plant-based decoration first developed in 14th century Chinese porcelain, and in great demand in Europe.

Delftware includes pottery objects of all descriptions such as plates, vases and other ornamental forms and tiles. The start of the style was around 1600, and the most highly-regarded period of production is about 1640–1740, but Delftware continues to be produced. In the 17th and 18th centuries Delftware was a major industry, exporting all over Europe.#delfttiles #dutchtiles #antiquetiles #delftblue #delftware #reclaimed #dutchdesign #interiordesigner #interiors #18thcentury #collectibles #collectables #earthenware #shepherd #sunday #cold #treetravel,
tourism,
hotels,
hotel,
holiday,
resort,
landmarks,
weather,
economy,
industry,
architecture,
shopping,
museum,
school,
housing,
floods,
storm,
flood,

Chris Gustin – Walter Gropius Master Artist Ceramic Symposium

Chris Gustin is a studio artist and an Emeritus Professor at the University of Massachusetts, Dartmouth. He received his BFA from the Kansas City Art Institute in 1975, and his MFA from Alfred University in 1977. Gustin lives and works in South Dartmouth, Massachusetts. Gustin’s work is published extensively and is represented in numerous public and private collections, including the Renwick Gallery of the National Museum of American Art, the Los Angeles County Museum of Art, the Victoria and Albert Museum, the World Ceramic Exposition Foundation in Icheon, Korea, the American Museum of Ceramic Art, the Currier Museum of Art, the Yingge Museum in Taipai, and the Daum Museum of Contemporary Art. With more than 50 solo exhibitions, he has exhibited, lectured and taught workshops in the United States, Caribbean, South America, Europe, the Middle East and Asia. He has received two National Endowment for the Arts Artist Fellowships, and four Massachusetts Cultural Council Artist Fellowships, the most recent in 2017. He is a member of the International Academy of Ceramics and was elected to the American Craft Council College of Fellows in 2016. He was awarded the Masters of the Medium award from the Renwick Alliance in 2017. Gustin is co-founder of the Watershed Center for the Ceramic Arts in Maine, and currently serves as Honorary Trustee on its board.

Chris is one of six artists who were chosen for similar reasons, and also for ones unique to each of them. All of them share a love of the material of clay, and an appreciation for the function of the particular objects that they create. Each of their experiences in clay is individual, but the common thread of education, from the past, present, and future, with their instructors being working artists in their field, ties them to the foundation of the Bauhaus.

For more information on the Walter Gropius Master Artist Ceramic Symposium, go to www.hmoa.org/education/gropius-ceramic-symposium/. For more information on the Walter Gropius Master Artist Program, go to www.waltergropius.org.

This project is supported in part by the National Endowment for the Arts. To find out more about how the National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

This project is presented with financial assistance from the West Virginia Department of the Arts, Culture and History, and the National Endowment for the Arts, with approval from the West Virginia Commission on the Arts.

The Walter Gropius Master Artist Series is funded through the generosity of the Estate of Roxanna Y. Booth, who wished to assist in the development of an art education program in accordance with the proposals of Walter Gropius, who designed the Museum’s Gropius Addition, as well as the Gropius Studios. The Museum is indebted to Roxanna Y. Booth’s son, the late Alex Booth, Jr., for his participation in the concept development of the Gropius Master Artists Workshops.