ceramics

Bernard Leach – A Potter’s World (Extract)

Bernard Leach is, without a doubt, the best known and most prominent of British studio potters.
Born in Hong Kong, he was taken almost immediately to Japan by his grandparents.
He came to England at the age of ten for schooling.
In 1909 he returned to Japan to teach etching which he had himself learnt from Frank Brangwyn.
After ten years of life in the East – both Japan and China – he met Hamada.
The following year they both came to England and set up the Leach Pottery at St Ives.
The years between the wars were hard for Leach; he spent much time re-building kilns, experimenting with materials, travelling – but not achieving much critical or financial success.
It was not until after the Second World War, and the publication of his first book, A Potters' Book, that he became widely recognised as a master in his field.
He continued to pot until 1972, but did not stop his ceaseless travelling.
The Victoria and Albert Museum in London held an exhibition – The Art of Bernard Leach – in 1977, and in 1979 he died.

White Pots

A quick look into Ayumi Horie's studio practice. Using porcelain, she shows how to dry throw bowls, plates, a match striker, and applies decals to pottery. She talks about the importance of touch and the haptic in life and what it means to make slow pots. Ceramic jokes included!

Studio Assistant: Molly Spadone

Michael Wilson
MW Photographic: Director and Filming

Chloe Beaven: Video and Sound Editing

Miles Beaven: Music

Ramen Making

Making ramen, making pots- potter Ayumi Horie describes the process of designing and pressing ramen bowls, raising questions about the nature of industrial and handmade processes. How does creativity run across disciplines and how can a machine contribute warmth to an object. Ayumi also introduces Menbachi Bozu, Noodle Boy Bowl, a mischievous yōkai specific to the pottery studio, who breaks and warps pots in the middle of the night.

Filmed, directed, and edited by Ayumi Horie
Music by Lullatone
Decal Application and Assistant Janine Grant
Special thanks to Chloe Horie, Ai Kanazawa, and the Haystack School of Crafts