artist

ATELIER TEN : ZEMER PELED

A new film by Eric Minh Swenson.

The Atelier Series by EMS are long form studio practice films that are quiet and instructional. They convey the ambiance of the studio space and a minimal approach to filmmaking. These films turn the banal methods of an artist into meditative insight and reflections upon exquisite process.

Zemer Peled's work examines the beauty and brutality of the natural world. Her sculptural language is informed by her surrounding environment and landscapes, and engages with themes of memories, identity, and place. The association of porcelain with refinement and civilization is turned on itself when broken into shards. In Peled’s organic formations, a whole from the shards is recreated, estranged from its original context, but nonetheless unified by an overall cohesiveness of movement and composition.

Peled (b. 1983) was born and raised in a Kibbutz in the northern part of Israel. After completing her BFA from the Bezalel Academy of Art and Design (Jerusalem), she earned her MA at the Royal College of Art (UK). In recent years, her work has been exhibited internationally at venues including Sotheby's and Saatchi Gallery (London), Eretz Israel Museum (Tel Aviv), and the Nelson Atkins Museum of Art (Kansas City) among others. Her work is found in many private collections around the world.
Peled lives and works in Los Angeles, California, USA.

EMS Legacy Films is a continuing series of short films produced by EMS on artists and exhibitions.
His art films can be seen at

Instagram : @ericminhswenson Website : emsartscene.com

Eric Minh Swenson also covers the international art scene and his writings and photo essays can be seen at Huffington Post Arts :

ZEMER PELED : NOMAD

Film by Eric Minh Swenson.

Zemer Peled utilizes a process of creation and destruction to make sculptures consisting of thousands of handcrafted porcelain shards resulting in works that can be read in relation to art historical tradition, outsider art, and natural phenomena.

The sculpture’s narrative impulses lean to encounters with the otherworldly—like complex topiaries marking a not-so-distant land–yet they remain distinctly tied to earth’s patterns. This conflation of the foreign and familiar creates a frenzied dislocation in the work. Inspired by migratory habits of birds, a sweep of feathers, and cycles of change, the works spiral outwardly in rhythmic patterns, interpreting not only the dynamism of nature, but also the startling strangeness of a life lived in transition.

Using white and colored porcelains, Peled transforms sharp slivers of porcelain into feathers, petals, leaves, and spines that describe objects of unknowable origins: seductive but untrustworthy. The forms are complexly ordered from the inside out, often bulging or spilling over with textures both delicate and severe. In some works, large scale-like ceramic pieces appear airy, delicate, and fluffy, as if one's breath might break it. In others, Peled's fragments are geometric barbs that mysteriously take on an alluring form – offering a sense of softness despite a sharp actuality. The forms are never static; the visual dance of sharp ceramic parts conveys a sense of constant movement. Like a murmuration of starlings, the sculptures appear to shift shapes as you move around them, an identity becoming and unbecoming in front of you.

The act of making for Peled is a feat of endurance, improvisation, and adaptation with the aim to embody a fleeting but fundamental feeling of mystery. The construction of her sculpture parallels negotiations any outsider makes in encountering a new world as they delicately construct a self that is both adaptable and resilient.

Peled (b. 1983) was born and raised in a Kibbutz in the northern part of Israel. After completing her BFA from the Bezalel Academy of Art and Design (Jerusalem), she earned her MA at the Royal College of Art (UK). In recent years, her work has been exhibited internationally, including such venues as Sotheby's and Saatchi Gallery (London), Eretz Israel Museum (Tel Aviv), and the Orangerie du Senate (Paris), among others. The artist currently lives and works in Long Beach, CA.

For more info on Eric Minh Swenson visit his website at thuvanarts.com. His art films can be seen at thuvanarts.com/take1

Eric Minh Swenson also covers the international art scene and his writings and photo essays can be seen at Huffington Post Arts :

In Corto D’Arte – Ep. 5 Fragment – Franco Guerzoni, Sookyung Yee & Glen Martin Taylor

What is a fragment? How do contemporary artists use it? Let's find out together!

00:00​​ – Intro
00:12 – Art Video
01:00​5 – What are we talking about today?
02:20​ – Franco Guerzoni
03:02​​ – Sookyung Yee
03:55​ – Glen Martin Taylor
04:31​​ – Let's make our fragmented artwork!
07:34 – Conclusion

Email – incortodarte@gmail.com
Facebook – @incortodarte
Instagram – @in_corto_darte

See you in the next episode of In Corto d'Arte!

Yeesookyung 1

1 – A visit to the Saatchi Gallery
If you're planning to go to London, you must visit the Saatchi Gallery.
The exhibition Korean Eye 2012 is a very interesting opportunity to discover or rediscover some artists. Personally, I continue to appreciate Yeesookyung with its delicate ceramic sculptures are very similar to an explosion of soap bubbles.
Watch the shorts videos that I took and tell me your opinion of this artist.

Ceramic artist Richard Notkin demonstrates slip casting

Ceramic artist Richard Notkin demonstrates slip casting for a teapot. Richard is featured in the Landscape episode of Craft in America, which premiered in May 2007 on PBS.

For more on Craft in America, visit www.craftinamerica.org.
All Craft in America programs are now viewable on the PBS iPhone/iPad app and online at video.pbs.org/program/craft-in-america.
To purchase DVDs: www.shoppbs.org/family/index.jsp?categoryId=3854896

Randy Johnston and Jan McKeachie Johnston, Potters, Educators, 2008

This video was created a few years back, the video itself and the following statement reflects where Jan and Randy were in their career at the time:
'Randy Johnston and Jan McKeachie Johnston have been producing wood-fired pottery from their Wisconsin workshop for over 30 years, carrying on a strong lineage and influence from Shoji Hamada, Warren MacKenzie and Bernard Leach. Randy teaches at the University of Wisconsin, River Falls and he and Jan have led numerous workshops around the United States. Their work is in many international public and private collections and Randy has work in the Permanent collections of the Minneapolis Art institute, Boston Museum of Fine Arts and the Los Angeles County Museum.'
This video is from 'The Muse DVD Periodical', a collection of 50 relaxed, spontaneous conversations with writers, musicians, applied artists, dancers, curators and educators about how our lives are enhanced by our personal creative pursuit. High definition video has become standard in the few short years since this was shot. These are lower resolution, with my apologies. Technology moves on!
Thank you for this encounter, Randy & Jan.

Ceramic Artist Randy Johnston on his Yunomi

Ceramic artist Randy Johnston describes his yunomi.
Narrated by Craft in America Center.

Pictured: Randy Johnston, Yunomi, 2020

Upon the centennial of the founding of Leach Pottery, the Craft in America Center presents an exhibition celebrating the cup as object and the impact of Bernard Leach on studio ceramics. "A Humble Legacy" is an exhibition of approximately two dozen historic and contemporary cups made by a selection of artists affiliated with Leach Pottery and others who continue in its legacy. For more information, visit .

The Craft in America Center in Los Angeles is a craft-focused library and gallery offering artist talks, workshops, exhibits and educational programs.

For more info about Craft in America, visit www.craftinamerica.org.
All Craft in America programs are viewable on craftinamerica.org, the PBS iPhone/iPad app, and pbs.org/craft-in-america

Points of Departure: Haniwa

Points of Departure: Treasures of Japan from the Brooklyn Museum

March 7, 2014–June 8, 2014

"Haniwa"

Join Japan Society Gallery Director Miwako Tezuka as she guides viewers through time and space to explore Japanese art, culture, and history using works from Points of Departure: Treasures of Japan from the Brooklyn Museum as signposts along the way. For this journey you won't need a map, compass, or even a plane ticket! In this final installment, Dr. Tezuka examines two clay figurines known as haniwa. These two figures are almost 1,400 years old!

"A radically reorienting show…gives you a new way to navigate Japanese art." – The New York Times

Points of Departure: Treasures of Japan from the Brooklyn Museum is organized by Japan Society in collaboration with the Brooklyn Museum.

Music: "Takeda no Komoriuta" performed by Yoko Reikano Kimura and Hikaru Tamaki

Taena Pottery: how to throw & decorate English slipware pots (trailer)

Ten minute version with commentary here:

Vici and Sean Casserley are the second generation of potters to run Taena Pottery. It was started in 1948 by a group of conscientious objectors and survived their dispersal in the 1960s.

Specialising in traditional English slipware, Vici and Sean make and sell their pots from a studio and shop nestled on the edge of the Cotswold escarpment. You can buy ready-made or bespoke pieces.

Contact details:
Whitley Court,
Upton-St-Leonards,
Gloucester,
Gloucestershire,
GL4 8EB
Tel: +44 (0)1452 610908