Chris Gustin workshop. big bowl. #pottersofperiscope
Chris Gustin workshop at Notre Dame. Throwing and altering a large bowl on the pottery wheel.
Originally streamed live on periscope.
Recorded on 04/05/2016 08:34 PM UTC by artbyfuzzy
Chris Gustin workshop at Notre Dame. Throwing and altering a large bowl on the pottery wheel.
Originally streamed live on periscope.
Recorded on 04/05/2016 08:34 PM UTC by artbyfuzzy
The loading of the anagama wood kiln at Gustn Ceramics, celebrating the 20th anniversary of the building of the kiln, and the 30th anniversary of Watershed Center for the Ceramic Art. Unloading is on July 1st (9am-2pm), public is invited. Exhibition, Gala Raffle and party is on September 2nd, proceeds to go to support Watershed.
The loading of the Gustin Anagama in November, 2016
The four day loading of Chris Gustin's anagama kiln in Dartmouth, MA. Opening of the kiln is June 25th, 2016, all are welcome!
The 4 day loading of Chris Gustin's anagama wood kiln, located in Dartmouth, MA. The loading was June 12-15, 2014.
Spraying soda in the second chamber of the October 2011 wood firing at Gustin Ceramics.
Gustin Studio, loading the anagama wood kiln, October 2013
Gustin's vessels are widely known for their figurative metaphors, luscious surfaces, and clear, direct sense of hand. He is a Professor Emeritus at the University of Massachusetts, Dartmouth and a co-founder of the Watershed Center for the Ceramic Arts in Maine. He has had over 40 solo exhibits as well as lectures and workshops around the world.
Studio Talk with Chris Gustin
Chris Gustin
On View February 29 – April 26, 2020
Reception: Saturday, March 28 4pm-6pm
McGuireWoods Gallery
Artist Statement
I am interested in pottery that make connections to the human figure. The figurative analogies used to describe pots throughout history all in some way invite touch. The pots that I respond to all speak of a clear, direct sense of the hand. The hand is celebrated in the work by its maker, whether it is that of a fifteenth century rural potter or a nineteenth century court artisan. And it becomes a necessary tool for the user in understanding the relationship of the object to its function, and subsequently, to how that object informs ones life.
Making tile is a way for me to connect to the basics of functional ceramics and to touch the roots of utilitarian clay. My studio work over the years has moved away from an interest in function and utility to an interest in sculptural form. Yet the desire to make things that function in our daily lives still resonates deeply within me. I have found that this “need” is indeed quite strong, and over the years I have occasionally fed it by making simple objects for daily use; the cup, the bowl, the plate.
Chris Gustin was formerly Associate Professor of Ceramics and the senior faculty of the ceramics program at University of Massachusetts, Dartmouth. After twenty years of teaching and working with hundreds of undergraduate and graduate students, he retired from academia in 1999 to devote full time and energies to his studio work and tile production company.
Keep the arts alive! Consider a donation to the Workhouse Arts Center:
Music:
Wholesome by Kevin MacLeod
Link:
License: