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Clay in Genesis: Divine Hands and Human Souls

Have you ever stopped to think about the story of our beginnings? In the Book of Genesis, there’s this beautiful, almost tactile moment where the Creator gets His hands dirty—literally. Genesis 2:7 says, “Then the LORD God formed man from the dust of the ground and breathed into his nostrils the breath of life, and the man became a living being.” Imagine that: the divine sculptor, kneeling in the mud, shaping the first human from clay.

A potter shaping clay on a wheel.
Credit: Photo by Quang Nguyen Vinh, via Pexels (https://www.pexels.com/photo/person-forming-clay-on-pottery-wheel-2131613/)

There’s something so intimate about this image. It’s not a distant, abstract act of creation—it’s hands-on, personal, and even a little messy. Clay gets under your fingernails. It’s cool and yielding, but it can be stubborn too. If you’ve ever tried pottery, you know it takes patience and a willingness to start over when things collapse. Isn’t that a bit like the journey of the soul? We’re shaped, reshaped, sometimes broken down and made anew.

I often wonder: what does it mean to be “clay in the hands of the potter”? Does it mean we’re passive, or does it mean we’re full of potential? Can we, like clay, be open to transformation? When life feels like it’s spinning out of control, maybe we’re just on the wheel, being formed into something new.

Have you ever felt yourself being “remade” after a setback? What did that process teach you about your own soul? I encourage you to try working with clay—even just a lump in your hands. Notice how it reacts to your touch, how it resists and yields, how it remembers every fingerprint. Maybe you’ll find a little bit of the divine in your own creative process.

Stay Creative!

Max

Toshiko Takaezu: Abstraction

Toshiko Takaezu: Abstraction

Toshiko Takaezu in 1997 Toshiko Takaezu (1922-2011) was a technically masterful and innovative artist best known for her ceramic sculptures, which she treated as abstract paintings in the round. Her gestural style, distinctive palettes, and complex layering of glazes align with the practices of Abstract Expressionists who were her […]

We all looked up to her as an artist because her work was so expressive and unique, and also as a woman forging new terrain and creating original and powerful work.

Click here to view original web page at asianartnewspaper.com

Contemporary Ceramics From Around the World: 10 Artists, 10 Works

Contemporary Ceramics From Around the World: 10 Artists, 10 Works

One of the things that I find surprising about contemporary ceramic art is the range of technique combined with whimsy that has been used. This has been an ongoing development made possible by wide-ranging discoveries in glaze and clay body research and combined with amazing references to ancient ceramic work as well.

“Although traditionally used as a medium for functional or decorative objects, ceramic has become a medium that is increasingly used by contemporary artists. Here is the work of some important contemporary ceramic artists from around the world! Grayson Perry Grayson Perry, The Existential Void, 2012 “I like the whole iconography […]

Click here to view original web page at www.peramuseum.org

Otherwordly Ceramic Forms by Janny Baek Evoke Growth and Transformation

Otherwordly Ceramic Forms by Janny Baek Evoke Growth and Transformation

Art Craft All images © Janny Baek, shared with permission “I’ve always been drawn to art in different ways, but sculpting clay by hand seems to come most naturally to me. I think it is my most effective means of communication,” says Janny Baek , whose playful, abstract ceramics […]

It’s a lot harder than you’d think to create something new in clay, a new vision and a new form and expression. However Janny Baek has ventured beyond and made work that really captures imagination.

Click here to view original web page at www.thisiscolossal.com

Toshiko Takaezu

Toshiko Takaezu

Photographer unknown Biography Selected Publications film / videos Periodicals / newspapers Books / Catalogues Toshiko Takaezu (1922-2011) was one of the twentieth century’s greatest abstract artists. Gifted with prodigious drive and vision, she combined inspirations from her own cultural background with currents from contemporary painting and sculpture, arriving at […]

–Though she is being given some special attention during a celebration month honoring women and that is quite valid, I have always thought of her as a great artist and didn’t need to know her gender. At the Crocker Art Museum (Sacramento, CA) near where I used to live, there were three of her extraordinary pieces right by the CAFE, thus serving food of the soul as well as a mean salad inside. She had a way of using simplicity of form and surface in a way that was deeply expressive.

Click here to view original web page at www.toshikotakaezufoundation.org

The Pueblo Artist Who Brings Kink to Traditional Craft

The Pueblo Artist Who Brings Kink to Traditional Craft

Virgil Ortiz (Cochiti Pueblo), “Master and Tics” (2002), Cochiti red clay, white clay slip, red clay slip, black (wild spinach) paint, 27 inches x 15 inches x 12 inches (courtesy Robert Gallegos, image courtesy the museum) SANTA FE, N. Mex. — ReVOlution , an exhibition at the Museum of […]

This is a fun and lively work and very attention getting. It’s at the entrance to the museum. However, it’s an anomaly… the other pieces in the show are much more “traditional” in execution, and really show the range of work being practiced. If you get a chance to go to the Museum of Indian Arts and crafts in Santa Fe, it is really worth it. They have amazing exhibits. And p.s. there is a wonderful outdoor cafe just to the side of the museum. A must visit.

Click here to view original web page at hyperallergic.com

Lucie Rie: The Adventure of Pottery. Kettle’s Yard

Lucie Rie: The Adventure of Pottery. Kettle’s Yard

Lucie Rie, Bowl, 1977, thrown porcelain with manganese glaze and sgraffito decoration, Middlesbrough Collection. Purchased with assistance from the V&A Purchase Grant Fund. “To make pottery is an adventure to me, every new work is a new beginning.” Kettle’s Yard is delighted to present Lucie Rie: The Adventure of […]

So beautiful and so perfect, simple yet powerful expression… I remember seeing a bowl of hers in a private collection. There were bigger, “louder” pieces all around, but that beautiful and smallish work seemed to expand and take up the whole room.

Click here to view original web page at martincid.com

Evoking Organic Growth, Toru Kurokawa’s Ceramic Sculptures Stretch and Swell into Abstract Forms

Evoking Organic Growth, Toru Kurokawa’s Ceramic Sculptures Stretch and Swell into Abstract Forms

Art “Visceral vision.” All images © Tour Kurokawa, shared with permission The natural growth process, which begins with the replication of a single cell and eventually produces bodily systems and lifeforms, informs the practice of artist Toru Kurokawa ( previously ). Based in Kyoto, Kurokawa transforms amorphous hunks of […]

These feel like spines and bone joints found in the desert near my house. He has captured the living undergirding of human and animal life.

Click here to view original web page at www.thisiscolossal.com

The Wondrously Defiant Art of Contemporary Ceramics

The Wondrously Defiant Art of Contemporary Ceramics

Installation view of Strange Clay: Ceramics in Contemporary Art at the Hayward Gallery, London. Pictured: Takuro Kuwata, “Untitled” (variously 2015, 2016), porcelain, glaze, pigment, steel, gold, lacquer (all photos Olivia McEwan/Hyperallergic) LONDON — Strange Clay: Ceramics in Contemporary Art is a bold move by the Hayward Gallery: many will […]

I’ll admit it. I don’t like these pieces one bit but I am glad people are stretching the definition of ceramics nonetheless.

Click here to view original web page at hyperallergic.com

[ZOOM KOREA] Shin Sang-ho continues to mold a new path for Korean ceramics

[ZOOM KOREA] Shin Sang-ho continues to mold a new path for Korean ceramics

Potter Shin Sang-ho uses bold colors to paint his pieces that take the form of animals at his studio called Bugokdobang in Yangju, Gyeonggi. [PARK SANG-MOON] Past the picturesque landscapes along the national highway in Yangju, Jangheung-myeon, Gyeonggi, then up a rocky, winding road, awaits a large door adorned […]

When an artist has made the inseparable bond between what he makes and who he is, magic happens.

Click here to view original web page at koreajoongangdaily.joins.com