This is another kofun found within Omuro Park (大室公園) in Maebashi, Gunma. Although it's small for a keyhole kofun (in Japanese 前方後円墳 Zenpōkōenfun) at 38m, the abundance and variety of haniwa (the statues) make this one of the better kofun I've seen. Yes the haniwa are replicas, but they are arranged in the kind of […]
Ancient figurines (i.e. Haniwa) surround Shoufutago Kofun in Gunma, Japan – 小二子古墳 Read More »
I have: No sponsors. No affiliate links. No bias. I hope you have a wonderful day!! ARTICLES: Wikipedia: World History: The Met: Japan Reference: Google Arts & Culture: Khan Academy: Japanese Archaeological Association: Tokyo National Museum: Animal Crossing Gyroids: Gyrodis- Animals Crossing: VIDEOS: Haniwa Song/ Music Video: Featured Conservation Project: Haniwa: Ancient Architects – Ancient
Art Around The World: Japan – Haniwa Read More »
This haniwa clay model of a horse from 6th-century Japan would have been buried in a tomb on ‘a very grand scale’, explains Japanese Art specialist Mark Hinton. Find out more at The decoration and detailing suggest it would have been made for a ‘very high-ranking person’, with tombs for such people often being ‘similar
A Haniwa Model of a Horse from 6th-Century Japan Read More »
Enchanted riders, ghostly horses, and tortured souls round out this Halloween edition of the Ancient Art Podcast. The Art Institute of Chicago's new Weston Wing of Japanese Art showcases wonderful works from Japanese prehistory through present day. We wrap our head around the 5th and 6th century earthenware haniwa tomb figures of Japan's Kofun era,
Haniwa Horse and Hokusai’s Ghosts (Ancient Art Podcast 34) Read More »
Points of Departure: Treasures of Japan from the Brooklyn Museum March 7, 2014–June 8, 2014 "Haniwa" Join Japan Society Gallery Director Miwako Tezuka as she guides viewers through time and space to explore Japanese art, culture, and history using works from Points of Departure: Treasures of Japan from the Brooklyn Museum as signposts along the
Points of Departure: Haniwa Read More »
In our latest featured conservation project, we learn about the collaboration between conservator and exhibition production staff. Here Samantha Springer, assistant conservator of objects discusses the issues associated with presenting a sixth century Japanese sculpture with Philip Brutz, mountmaker. The two problem solve how the object will be mounted after the object has been treated.
Featured Conservation Project: Haniwa in the Form of an Archer Read More »
