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Asia in Holland, 17th century Delftware

Adriaen Kocks, proprietor, The Greek A Factory (attributed), one of a pair of tulip vases as triumphal arches, c. 1690–1705, tin-glazed earthenware, 29.5 x 30.5 x 7.6 cm (Museum of Fine Arts, Boston)

Lambertus van Eenhoorn, proprietor, De Metaalen Pot Factory (attributed), Tea canister, c. 1695–1720, lacquer imitation black glaze, tin-glazed earthenware, 14 cm high (Museum of Fine Arts, Boston)

Jacob Wemmersz Hoppesteijn, proprietor, Het Moriaenshooft factory (attributed), Miniature shoe, c. 1685, tin-glazed earthenware, polychrome enamel decoration, 10.5 x 18 cm (Museum of Fine Arts, Boston)

speakers: Courtney Harris, Assistant Curator, Decorative Arts and Sculpture, Museum of Fine Arts, Boston and Steven Zucker

Aronson Antiquairs: Five things to remember while enjoying Delftware

Dutch Delftware is initially a result of the first connection between the Dutch East India traders (VOC) and China. Initiated by the demand for the waning importation of Oriental porcelain from the 1640s, Delftware quickly became an iconic national product.

From the 1680s the Delftware industry constantly innovated with new shapes, decorations and functions. Their products were coveted by European nobility and royalty for their quality and diversity.

The city of Delft rapidly became an inspiration to many European and even Oriental potters. Fifth generation specialist Robert Aronson takes you past several objects and discusses five things to remember when looking at Delftware.

Delftware ‘Puzzle Jugs’ Explained

Delft puzzle jugs are a rare remnant of the drinking culture in the Netherlands. Delft examples can be found starting in the 1650s through the eighteenth century. The vessels were no ordinary jugs or tankards. They were not intended to function as drinking or pouring vessels, a fact made clear by the pierced openwork on the neck. Rather, they functioned as a game or conversation piece during a dinner party. A puzzle jug was referred to as a suijgkan (‘suction-jug’) in inventory lists of factories and potters’ shops, a term that hints at the solution to the puzzle.

3 Artistes Vol 3 : Trevor Henderson / Patricia Piccinini / Christopher David White

3 artistes à découvrir:

00:00 Intro
00:13 Trevor Henderson
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06:48 Patricia Piccinini
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11:09 Christopher David White
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Musique générique composée par : Ina Cesco

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Chris Riccardo

Studio Vérité: Chris Riccardo
Studio Visits with Jacques de Beaufort

In the inaugural edition of Studio Vérité I have the pleasure of visiting Sculptor Chris Riccardo as he holds court one fine Friday morning in the Sculpture Department of the Armory Art Center in West Palm Beach.

We talk about inspirations, new projects, taboo subject matter, and advice for young artists among other things.

Many thanks to Chris Riccardo for taking the time to talk with Studio Vérité!