Sights & Ceramics: Exhibitions – Zemer Peled’s After the Bloom at Sherrie Gallerie.
See more Sights & Ceramics on CLAYflicks!
See more Sights & Ceramics on CLAYflicks!
A new film by Eric Minh Swenson.
The Atelier Series by EMS are long form studio practice films that are quiet and instructional. They convey the ambiance of the studio space and a minimal approach to filmmaking. These films turn the banal methods of an artist into meditative insight and reflections upon exquisite process.
Zemer Peled's work examines the beauty and brutality of the natural world. Her sculptural language is informed by her surrounding environment and landscapes, and engages with themes of memories, identity, and place. The association of porcelain with refinement and civilization is turned on itself when broken into shards. In Peled’s organic formations, a whole from the shards is recreated, estranged from its original context, but nonetheless unified by an overall cohesiveness of movement and composition.
Peled (b. 1983) was born and raised in a Kibbutz in the northern part of Israel. After completing her BFA from the Bezalel Academy of Art and Design (Jerusalem), she earned her MA at the Royal College of Art (UK). In recent years, her work has been exhibited internationally at venues including Sotheby's and Saatchi Gallery (London), Eretz Israel Museum (Tel Aviv), and the Nelson Atkins Museum of Art (Kansas City) among others. Her work is found in many private collections around the world.
Peled lives and works in Los Angeles, California, USA.
EMS Legacy Films is a continuing series of short films produced by EMS on artists and exhibitions.
His art films can be seen at
Instagram : @ericminhswenson Website : emsartscene.com
Eric Minh Swenson also covers the international art scene and his writings and photo essays can be seen at Huffington Post Arts :
Zemer Peled is acclaimed for her unconventional relation to porcelain, as well as her examinations of the beauty and brutality of the natural world. She utilizes a process of creation and destruction to make sculptures consisting of thousands of porcelain shards, resulting in works that can be read in relation to art historical tradition, outsider art and natural phenomena. In 2014, Peled was shortlisted for the #YoungMasters Maylis Grand Ceramics Prize. She is currently visiting artist in residence at California State University (CSULB).
Save the date: Friday 3rd February at 2pm | Zemer Peled Artist Talk at Collect by Crafts Council UK, Stand 6.4, courtesy of The Cynthia Corbett Gallery.
This time lapse video illustrates Peled creating her sculpture New Year's Best Dreams.
In this series of self-produced short videos, artists featured in Unconventional Clay: Engaged in Change discuss inspiration, process and technique. This exhibition is FREE and open to the public from February 26 – June 12, 2016. Video courtesy the artist.
Film by Eric Minh Swenson.
Zemer Peled utilizes a process of creation and destruction to make sculptures consisting of thousands of handcrafted porcelain shards resulting in works that can be read in relation to art historical tradition, outsider art, and natural phenomena.
The sculpture’s narrative impulses lean to encounters with the otherworldly—like complex topiaries marking a not-so-distant land–yet they remain distinctly tied to earth’s patterns. This conflation of the foreign and familiar creates a frenzied dislocation in the work. Inspired by migratory habits of birds, a sweep of feathers, and cycles of change, the works spiral outwardly in rhythmic patterns, interpreting not only the dynamism of nature, but also the startling strangeness of a life lived in transition.
Using white and colored porcelains, Peled transforms sharp slivers of porcelain into feathers, petals, leaves, and spines that describe objects of unknowable origins: seductive but untrustworthy. The forms are complexly ordered from the inside out, often bulging or spilling over with textures both delicate and severe. In some works, large scale-like ceramic pieces appear airy, delicate, and fluffy, as if one's breath might break it. In others, Peled's fragments are geometric barbs that mysteriously take on an alluring form – offering a sense of softness despite a sharp actuality. The forms are never static; the visual dance of sharp ceramic parts conveys a sense of constant movement. Like a murmuration of starlings, the sculptures appear to shift shapes as you move around them, an identity becoming and unbecoming in front of you.
The act of making for Peled is a feat of endurance, improvisation, and adaptation with the aim to embody a fleeting but fundamental feeling of mystery. The construction of her sculpture parallels negotiations any outsider makes in encountering a new world as they delicately construct a self that is both adaptable and resilient.
Peled (b. 1983) was born and raised in a Kibbutz in the northern part of Israel. After completing her BFA from the Bezalel Academy of Art and Design (Jerusalem), she earned her MA at the Royal College of Art (UK). In recent years, her work has been exhibited internationally, including such venues as Sotheby's and Saatchi Gallery (London), Eretz Israel Museum (Tel Aviv), and the Orangerie du Senate (Paris), among others. The artist currently lives and works in Long Beach, CA.
For more info on Eric Minh Swenson visit his website at thuvanarts.com. His art films can be seen at thuvanarts.com/take1
Eric Minh Swenson also covers the international art scene and his writings and photo essays can be seen at Huffington Post Arts :
This video is about Venice Biennale 2017: Yee Sookyung at Arsenale Pavilion Opening
[Interview] 이수경 (Yeesookyung)
“바위는 우주의 탄생부터 지금까지 지구의 모든 시간들이 담겨 있는 신비롭고 매력적인 존재입니다. '그곳에 있었다'는 “모든 것에 불성이 담겨 있다.”는 부처님의 말씀에서 시작되었어요. 바위를 순금으로 덮으며 그 안에 담긴 흔적들이 더욱 두드러지고, 마치 순금을 입힌 불상처럼 성스러운 존재로 변모되는 것 같습니다. 디엠지 평화문화광장에 있는 제 작업은 한반도 분단이라는 비극의 현실이 마치 돌을 황금으로 바꾸는 연금술처럼 하루빨리 통일을 이루었으면 하는 저의 기도를 담았습니다.
저는 디엠지와 니록스의 바위들이 지구의 아주 오래된 조상님들처럼 느껴져요. 이 프로젝트를 처음 제안 받았을 때, 모계혈통으로 역추적한 20만년전 인류의 어머니가 떠올랐습니다. 미토콘드리아 이브라 불리는 인류의 어머니는 아프리카 지역에 거주한 것으로 추정된다고 합니다. '그곳에 있었다'는 오래되어 더욱 아름다운 신성한 존재에 경이를 표하는 작품이라 할 수 있습니다.”
#REALDMZPROJECT #RDP #DMZ #contemporaryart #spaceforcontemporaryart
#리얼디엠지프로젝트 #전시 #현대미술 #NegotiatingBorders #경계협상 #Yeesookyung #이수경 #Interview #인터뷰 #TravelingKoreanArts #트래블링코리안아츠
What is a fragment? How do contemporary artists use it? Let's find out together!
00:00 – Intro
00:12 – Art Video
01:005 – What are we talking about today?
02:20 – Franco Guerzoni
03:02 – Sookyung Yee
03:55 – Glen Martin Taylor
04:31 – Let's make our fragmented artwork!
07:34 – Conclusion
Email – incortodarte@gmail.com
Facebook – @incortodarte
Instagram – @in_corto_darte
See you in the next episode of In Corto d'Arte!
이수경
«달빛 왕관»
Yeesookyung
Moonlight Crowns
2021.7.29 – 9.26
아트선재센터
Art Sonje Center
영상 제작 및 편집 Vegetarian Pitbull