Part Four of the five-part American ceramics history film, Revolutions Of The Wheel, examines the career and work of one of the most controversial of 20th Century American potters, the San Francisco Bay resident and professor, Robert Arneson – the father of ceramic Funk Art.
Fellow artists Jim Brady, Peter VandenBerge and Richard Shaw reminisce about the years they worked along side Arneson at the University of Californi, Davis.
An extensive interview with Arneson's widow, the artist Sandra Shannonhouse, explains his need to explore the human condition. Historians and critics clarify the work of this most extraordinary artist.
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